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Despite the advancement of colored people, the nigger continues to rear its three or more heads:. The grotesque head , most notably, recently, on the University of Oklahoma frat bus. Commenting on the nigger in the psyche shufflin' down to the nigger in African American visual art in the mid-to-late s, cultural critic Henry Louis Gates, Jr. In drawing upon this peculiarly American repertoire of debased, racist images — the artists are seeking to liberate both the tradition of the representation of the black in popular and high art forms and to liberate our people from residual, debilitating effects that the proliferation of those images undoubtedly has had upon the collective unconscious of the African American people and indeed upon our artists themselves and their modes of representation. For artistic tradition to evolve beyond realism to the meta-level of self-consciousness, political and formalistic commentary is a sign of sophistication, self-confidence, self-awareness and control.
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